Initially drawn to audio post-production for its artistic impact on a film, I quickly discovered a strong complementarity with location sound recording. I found in it a balance between technical precision and the human dimension of the work: collaborating with crews, discovering new places and events, and facing the daily challenges of working in the field.

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After 12 years in the industry, the most formative experience of my career remains my work on the feature film Witz, where I served as production sound mixer, co-editor of the production sound, and assistant sound editor. I later followed the project through the foley recording, ADR, and final mixing stages in renowned studios. Working across the entire production chain has given me a comprehensive understanding of my craft and allows me to quickly identify the best solutions when facing a problem. I have continued to refine my skills through more than a hundred short films, while also collaborating on a wide range of projects such as field television programs and advertising.

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Over the years, I have built up an extensive, high-end equipment package designed to meet the specific demands of my work.

Although I am primarily based in Paris, i'm available in London and I also spend a great deal of time in the Basque Country, my home region, where I aim to develop more projects and further strengthen my professional network.